two more on Scape

The new issue of Gently Read Literature features Zach Savich's review of Scape:

Despite their hospitality to some interpretation, Harmon’s poems don’t ask for close reading but for re-reading. They reward it with clarity that reduces nothing, shimmering between types of focus, so you can see how “snow snooze-buttons // the day” (4); “a furl limns tips split, a sleaving” (51); and “Ten leaves amidden mast the hammering / yaws. Ware wind their color: florid stipple, / trebly grain.” Such mouthful phrases are vivid, strong as a shark on your line, and mindful of the “origin” within the “original.” They give a dream of language that is inseparable from sensory perception, even as its syntax and reasoning veer between receiving the world and transforming it into human speech.

And the new issue of Word for / Word includes an interview conducted by Andrew Topel.